Means and meanings
Artistic expressions plays a central role in the
cultural life of the Aborigines. The religious dimensions in their
art is omnipresent, whereas its political, social, practical or
didactic purposes are constantly overlapping.
Among the means and techniques used by the Aborigines,
some are short-lived, such as paintings on the body, on a piece
of tree bark or on the bare ground. Ceremonial sculptures made
of wood and carvings or drawings on rocks are less ephemeral.
Ritual and practical objects can be made with stone, wood, cloth
or feathers.
Jewellery is generally composed of bones, shells and seeds.
Techniques can vary regionally: in the Arnhemland
area, the paintings are predominantly done on large pieces of
flattened tree bark, whereas the Desert region artists paint traditionally
on bare ground.
Until the 18th century, with the arrival of the
first European settlers in Australia, Aboriginal Art had served
ritual purposes exclusively. Only an artist who had been through
several phases of initiation, could create art of social dimensions.
To some extent, this is still valid today, although
the growth towards Aboriginal control of their communities has
been accompanied by a flourishing art development. The practice
of old and new means of visual representation has become one of
the most constructive aspects of Aboriginal people’s daily
life.
In this context, it was unavoidable that more
and more works of art were being produced for public and/or commercial
use.